September 2016 - Barrie Through The Seasons
Barrie Through The Seasons - September 2016
Talk is Free Theatre - The Music Man
When a city is rich with cultural opportunities everyone
benefits as arts and culture magnetically draws business and investment. Barrie has a growing downtown core; at the
crossroads of the historic Five Points sits the Mady Centre for the Performing
Arts, the usual home for productions by Talk is Free Theatre.
Experiencing the theatre is immensely different than
attending a theatrical performance, this isn’t just semantics.
When the performers are mere steps away, the backdrop isn’t
painted canvas but familiar locales in the city I stride through daily, it blurs
the lines. My toehold on the expected was purposefully trod upon, that is the
intent of the production of The Music Man, recently found, literally on the streets
of Barrie.
They call it a site-specific immersive production. Step along with me while I share my
experience.
Many readers may be familiar with composer Meredith Willson‘s
musical; this version is true to tale but with a twist. The time is present
day, the performers a mix of professionals and non-professionals, the tone is
exceedingly practiced.
Ticket holders exchange their city residency at the bus
terminal on Maple Street, passports not required, but we were made honorary
citizens of River City. Regular Barrie folk stood waiting to board buses, when amongst
the crowd a measured beat of familiar tune began on unconventional instruments,
song followed, dancers stepped up and leading man Harold Hill slid into
character.
We followed. On foot, by bus, traipsing in the dark humming
softly, we were capably escorted into this altered world.
When the weather shifted so did the settings; performers,
crew and attendees took it all in stride.
Playing with my perceptions took realignment;
when familiar locations are professionally lit, I questioned is that the hair
salon entrance or a comfy porch where a student receives her piano lessons?
Perhaps that could be a reasonable rendition of a council
meeting, I’ve heard there is a heap of talent right here in River City, but we
aren’t looking for trouble. Seventy Six
Trombones that music sets my feet to tapping!
It was a fascinating fishbowl experience. I was immersed in
the performance while simultaneously watching non- ticketholders and the
pedestrians of the cityscape taking it all in too.
In our conversation, Arkady Spivak, Artistic Producer of
Talk is Free Theatre told me this is to be expected.
Penelope Morrow:
Is it usual for Talk is Free Theatre to do a production that
combines out of town performers with locals?
Arkady Spivak:
No we have done this on and off, but not for the last ten
years. It’s not so much the combination
of local and not local but a combination of professional and non-professional
performers. That’s what we were aiming
at obviously. Not need or reason to
bring non-professionals from outside of Barrie although we do have somebody
coming from Bradford and Innisfil, it is anchored in Barrie of course. We look at it as a regional project, it’s a
combination of professional actors limited in region and local people, kids,
teenagers and adults who don’t necessarily work with us everyday.
PM: I would think
this would be encouraging for more people locally to come to the theatre.
AS: Well absolutely,
I mean it’s not just to come to the theatre but to learn what theatre is about,
how production is made, how professional production is made because it’s not
necessarily quality we are talking about. Not that professional is good and
non-professional is bad, but it is a different approach, a different
discipline. Different timelines too in
this case, the project had to be developed in three and a half weeks as opposed
to three months.
PM: Who is your
typical patron?
AS: Our typical patron, well that’s a very good question. A
typical patron. We are trying to run a
very non-elitist organization so while we have very affluent members of the
community who attend and support us over and above their tickets, we don’t
really go younger than high school. We
do shows for high school, we have younger adults. A lot of disposable income isn’t really a
question in our case because tickets are anywhere from 35 to 40 dollars. Where the same kind of people, same kind of
actors and shows get that elsewhere for which people have to drive two hours
and spend 150 dollars for a ticket. We
have supporters who drive busses for City of Barrie transit, all the way to
very acknowledged business community leaders in town, everything in between.
PM: Does having a
performance that takes the theatre to the people, off site, break down any
barriers with the preconceived notion that some people have that theatre is
elitist?
AS: Oh absolutely
that’s exactly why we did the project that way, one of the main reasons. I always envy visual art because the Sprit
Catcher for example, you can install it, it lives inside of everyone for a very
long time, you might have some maintenance but in the grand scheme of things
you don’t have to create it every day. Whereas what we do in theatre is living
art, which means it is extremely short duration. It is very difficult to take it right to the
people because theater requires lighting, sound, seating. A certain way people are accustomed to, they
get dressed up a bit, have a glass of wine, get seated, no wind, no rain. This kind of throws it all out the window
really. Basically says performing
creativity can happen right on the street without you knowing. Satirize the idea we are all characters with
wonderful stories to tell. It might be your story but at this point we are
watching someone else’s story. While it
was written in 1957 and set in 1912 we are saying it is happening today and
today only.
PM: I found I was
caught up on occasion between watching the performance and watching people
passing by watching the performance.
AS: That’s exactly
the intent and thank you for saying that, because somebody asked me what stops
you from watching it for free and not buying a ticket. We have a system in place, you may glimpse
some of it, you may be able to see something but not as close as an audience
member and if you come closer or go to the library at the time we are doing
those scenes you become part of the chorus without even knowing.
PM: What is your
vision for Talk is Free Theatre moving forward?
AS: In terms of an
impact I would like to see professional actors, in this case theatre makers,
obviously right across the discipline of art making, be it visual artists,
musicians to relocate to Barrie and to create here. It’s not that I’m against bringing people from
elsewhere in the province or the country or even internationally, but I think
they shouldn’t be blowing through here like breezes, they should be committing
to their community as a lifestyle because this is what will make, what will
transform the city is specific people living and working here. As
opposed to a certain kind of work that is here. I would like and I think that is
happening. I would like to prepare the environment; to
trigger the environment for this to happen, because it is specific visionary
people who create work in this community because them being here will
immediately filter to mentorships of younger people, helping the community
realize itself through a certain beautification of downtown.
I will close with a quote from our interview that resonated
with me well after we spoke, “Only art can help us chart the history of this
community, nothing else”.
My sincere thanks to Arkady Spivak, Artistic Producer of
Talk is Free Theatre for sharing his time and insights.
*Interview abbreviated due to space constraints
*All photographs taken by Luca Ragogna
This monthly review
is generously sponsored by Erin Corcoran Re/Max Chay Realty Inc., Brokerage Sales Representative and enthusiastic owner operator of Simcoe County Shop Local.
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